URUMU WEAVING TIME, 4 CORNERS DYPTICH

Monika Bravo

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  • 2014
  • archival pigment on glass, aluminum base
  • 24 h x 20 w in.
  • artist notes
    Both studies in glass and paper are drawings that dwell in a threshold between geometry and meaning. These diagrams originate from ancestral cultures and conform textile sequences with embedded information that it is meant to be passed along between generations. Their vivid colors are taken from Sonia Delauney’s (1885-1979) gamme de couleur used in her work during the course of her career.