In the Studio with Ethan Newman

February 4, 2026

Painter Ethan Newman sat down with us to discuss his background, what inspires his art, and what he seeks to communicate with his work. Newman is known for his engaging abstract expressionist oil paintings and collages. An accomplished musician from an early age, he employs a swift and spontaneous approach to painting, imbuing his work with an improvisational flair. Newman earned his BFA from

Hartford Art School in 2018, where his talent was acknowledged through various scholarships and grants-most notably the prestigious Anna Ball Pierce Scholarship. He has exhibited solo at Five Points Gallery, Fred Giampietro Gallery, and Serendipity Gallery, along with numerous group exhibitions at esteemed venues such as Silvermine Gallery, Joseloff Gallery, and Washington Art Association Gallery. His artistic prowess has earned him multiple accolades, including the Rudolph F. Zallinger Excellence in Painting Prize from the University of Hartford, and a first-place win in the Five Points Juried Biennial in 2017. His paintings reside in numerous collections internationally.

CBCA: What’s your background? Did you always want to be an artist?

EN: From an early age I always had an interest in drawing. My dad had this old comic book collection from when he was a kid. It was sort of “off limits” because some of the books were valuable, but I’d sneak one or two and spend hours looking at the pictures trying to copy them. When I was through with them, I’d carefully put them back and “borrow” a couple more. I had sort of a sheltered home-schooled Christian upbringing and didn’t have a lot of access to “high art”. It wasn’t until community college at the age of 19 when I discovered artists like Basquiat, de Kooning, and Picasso for the first time. I remember seeing this particular Basquiat painting, and it just rattled me to my core. I had no idea that sort of thing was an option, or that it was possible to actually be an artist as a career choice. I guess you could say that’s where I “caught the bug.” But it wasn’t until 5 years later after dealing with a nasty breakup that I decided to really buckle down and become an artist. After my partner and I split, something just snapped in me, and I spent all hours of the day painting and drawing in my old apartment where I lived alone. Weeks went by, and I remember having this moment in my kitchen, where it was as if the dust had settled. I looked around and paintings and drawings were everywhere. On the stove, table, countertops, walls, ceiling, etc.Every square inch of the place was covered. I knew then that I wanted to be an artist, and that once I made that choice there was no going back. You were either in all the way or you weren’t in at all.

CBCA: What thoughts go through your mind when you create?

EN: Usually I’m almost always thinking of other people while I’m working. Loved ones that are no longer here, family, and friends. Occasionally, I’ll have no thoughts at all, and it’s as if I disappear and the painting is just making itself. Those moments are magical, and are probably one of the major reasons why I love to paint.

CBCA: What artist(s) or movement(s) have influenced your work?

EN: I’ve always gravitated towards the Abstract Expressionists, particularly Joan Mitchell, de Kooning, and Franz Kline. I also really love German Expressionism. But I love everything really from cave painting up through some work being made today.

CBCA: Why/How have you chosen your medium? Which creative medium would you love to pursue but haven’t yet?

EN: I love oil paint because of how rich and luxurious it looks in comparison to something like acrylic. I have friends that are acrylic painters and they really make it look fantastic, but I could never pull it off really. Whenever I’ve tried to make an acrylic painting it always looks too plasticky or something. Also, I just really love the nature of oil. It takes longer to dry so you get more time to fiddle and re-work the surface if something doesn’t look right. I’d really like to pursue sculpture and printmaking though. I was exposed to these mediums in Art school, but always felt that I didn’t get enough time with them.

CBCA: What do you do to procrastinate?

EN: Like most people these days I procrastinate by looking at my phone. I really hate these things, and have considered getting a flip phone again as a way to simplify my life more. They really are time wasters 90% of the time. I’ll also play my guitar, but I don’t always consider that procrastinating. That’s usually always time well spent. Unless I start playing obsessively, which has been known to happen, then I tell myself I gotta rein it in a little and get to work on the paintings.

CBCA: What are you trying to communicate with your art?

EN: I always say my favorite type of abstraction is the kind that feels like something recognizable, yet remains abstract. For example, you could look at a Pollock or a de Kooning and it looks abstract, but if you really tune into the work it starts to feel like something you know somehow. I’m interested in making work like that, which speaks to some deeper, hidden part of the human psyche. I’d like for the paintings to be like mirrors almost, where the viewer could begin to see themselves in the work, and maybe inspire a higher level of thinking. I also love the idea of making these spaces that feel like something you want to be in.

Ethan Newman, "Rabble Rouser," oil on canvas
Rabble Rouser
Ethan Newman
Ethan Newman, "I'll Take You Along," oil on canvas
I’ll Take You Along
Ethan Newman
Ethan Newman, "Untitled 1," oil on canvas
Untitled 1
Ethan Newman
Ethan Newman, "Invisible Gardener," acrylic and flashe on canvas
Invisible Gardener
Ethan Newman
Ethan Newman, "Bloom, Again," acrylic on canvas
Bloom Again
Ethan Newman
Ethan Newman, "Walk the Talk," mixed media on canvas
Walk the Talk
Ethan Newman