Michael Manning

The dual and ambivalent nature of human beings has long been a dominant theme in Michael Manning’s work. His paintings often situate human and animal figures in otherwise abstract environments. Although recognizable forms are asserted with dynamic lines and bold silhouettes, overlapping transparencies can lend them a subtle, shadowy presence. Manning’s process is typically revealed in visible layers of drawing and painting that introduce, deconstruct, and nearly wash away his protagonists. This layering functions as a record of creative time and change, but can also insinuate multiple sides of a person or situation. While Manning’s work is process oriented and driven visually by formalist decisions, the motivation for the subject matter often uses larger, universal moral messages found in mythology and religion as thematic inspiration.

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Michael Manning, "Sheep in Wolves' Clothing," acrylic, oil stick on canvas

Sheep in Wolves' Clothing

Michael Manning, "Odyessus's New Ride," acrylic and oil stick on canvas

Odyessus's New Ride

Michael Manning, "The Wrangler," acrylic, oil stick on canvas

The Wrangler

Michael Manning, "Seated Figure in Yellow, Right," acrylic, oil stick on canvas mounted in panelMichael Manning, "Seated Figure in Yellow Right," acrylic, oil stick on canvas

Seated Figure in Yellow, Right

Michael Manning, "No More Bullies," acrylic and oil stick on canvas

No More Bullies