Mary Manning

b. 1950 , Hartford , CT

Mary Manning’s abstract paintings and monotypes are recognized for their exuberant color and strong graphic elements. Drawing inspiration from literature, music, nature, and current events, her work reflects a lifelong curiosity of experimentation and commitment to exposure to a wide range of creative endeavors. Of her creative processes, Manning’s painting method is slow and considered as she rearranges, adjusts, and develops a painting carefully over a length of time. Alternatively, her process is the print shop is characterized by spontaneity and decisive action as she, ‘gives [herself] over to the immediacy of the printmaking process.’ Prioritizing color above all other aesthetic considerations, Manning gives herself challenges to resolve in each piece such as working with a certain number of prescribed shapes or colors. Ultimately, Manning finds working within set boundaries liberating.

cv statement
Mary Manning, "Messua #3," monoprint

Messua #3

Mary Manning, "Girl from Ipanema," mixed media on paper

Girl from Ipanema

Mary Manning, "Aquatic Chanticleer #2"

Aquatic Chanticleer #2

Mary Manning, "Black Bird," collage on paper

Black Bird

Mary Manning, "Rangeen Phool," painting on paper

Rangeen Phool