Heather Sandifer

b. 1947 , Greenwich , CT

Heather Sandifer’s process combines the techniques of nature printing with the traditional monotype. Sandifer started using the classical plant preservation method for her own horticultural identification and art studies. Her frustration with the fragility of the specimens pushed her to experiment with nature printing, resulting in her unique, one-off prints she calls ‘nature monotypes’. This technique allows her to interpret each subject to its fullest, and to ‘wrestle’ with the material to see what ultimately transpires.

Her use of assemblage represents a natural progression, demonstrating increased elements of both subjectivity and abstraction. Shadow and construction are intrinsic to her work, and in many pieces, metal paint and acidic washes are applied to speed up the oxidation process.  This oxidation renders a weathered look which brings additional texture to the objects and evokes a sense of time. She is a hunter/gatherer with exclusive permission to collect in some of the finest gardens on the East Coast. With careful attention to the natural gesture, poetry of form, and inherent sprit of each specimen, each leaf is a microcosm of the plant it came from.

cv statement
Heather Sandifer, "Black Branch Series IV," mixed media, acrylic, marker on vellum paper

Black Branch Series IV

Bacchus Series 3, Cat. 125

Heather Sandifer, "Marbled Dogwood II," printing ink, carbon pencil, and plant tissue

Marbled Dogwood II

Heather Sandifer, "Harlequin I (Angel Wing Begonia)," mixed media on paper

Harlequin I (Angel Wing Begonia)

Heather Sandifer, "Deep Aqua Phlebotium Fern, Cat. 157," mixed media on vellum paper

Deep Aqua Phlebotium Fern, Cat. 157